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With a few of those songs under his belt, Wilson and Semisonic reunited for a series of reunion shows in Minneapolis in 2017.
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“I took that kind of as a sign like, ‘Oh, I know how to do this,’” he says. But the songs reminded him of a style he’d long avoided. Wilson wrote a handful of songs for Gallagher, submitted them and then realized he’d missed the deadline. “But he said Semisonic were OK, so I got a reprieve from him.” “He said, ‘Americans write shite melodies,’” Wilson chuckles. The reach-out was somewhat ironic, since Oasis and Semisonic toured together in the Nineties and Gallagher was not taken with rock from across the pond. A few years ago, Wilson was approached to write songs for a Liam Gallagher solo album. One of those collaborations helped bring him back to Semisonic, though. Over the years, Wilson has written or co-written for Taylor Swift (“Treacherous”), Halsey (“Alone”), Adele (three songs on 21, including “Someone Like You”) and the Dixie Chicks (multiple songs on Taking the Long Way, including “Not Ready to Make Nice” and “Easy Silence”). To earn a living and continue his career in music, he became a writer-for-hire, as well as an occasional solo artist. Semisonic broke up in the early 2000s in part, Wilson says, because he needed to be home more to help take care of his oldest daughter, Coco, who was born prematurely and had special needs. It was a really specific kind of vibration the band couldn’t help but have.” And no matter how hard we tried to rock that, that remains true. “But in that post-grunge era, Semisonic songs always had a kind of hopeful glow about them.
“A lot of things that grunge did well were resentment and aggrieved,” he says.
That determinedly upbeat vibe, Wilson says, has long been part of Semisonic’s DNA - even dating back to his previous band, the power-popping Trip Shakespeare. And that was an inspiration for the song. “A lot of people I knew were feeling like things were going to hell in a big hurry. “When I wrote it, a lot of people around me were feeling despair about our country and the state of the nation,” Wilson says. Friday, the group previews its first single: the title track, which returns to the trio’s blend of winsome melodies, power-chord guitars and largely angst-free lyrics (“Everybody knows that the world is wrong/Only thing to do is write a song/That’s one way to take a wrong and make it all right”).
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